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ower. Kerney asked them if Usher's decision to change the ending's of the screenplay was common practice. "You ai is the largest test site at n't seen nothing yet," Gus said with a chuckle. "Any good director puts his own stamp on a film. There will be dialogue rewrites, camera- angle changes, scenes that get dropped, altered, or added-the list goes on and on." "We'll have most of it sorted out at a final production meeting once we've visited all the locations," Buzzy said. "That's when we'll know basically what stays and what goes." "Don't the producers have a say?" Kerney asked. "Not creatively," Gus replied. "Charlie Zwick will have his hands full dealing with production delays, weather changes, sick or ill-tempered actors, continuity problems, staying within the budget-you name it." "Fortunately, Charlie and Malcolm have worked together before," Buzzy said, "so it should go smoothly." After dinner with Gus and Buzzy, Kerney took a stroll through the empty, silent streets of Playas, past rows of dark, vacant houses. As daylight faded, streetlights in the dormant town flickered on, casting eerie shadows through an occasional dead tree. It felt almost otherworldly, as though some invisible catastrophe had annihilated the population of the town, leaving behind the houses as a mute testimony to the disaster. He turned t